{"id":389,"date":"2023-06-08T19:57:49","date_gmt":"2023-06-08T19:57:49","guid":{"rendered":"https:\/\/stijnpeeters.com\/?p=389"},"modified":"2023-07-23T08:40:37","modified_gmt":"2023-07-23T08:40:37","slug":"possibilities","status":"publish","type":"post","link":"https:\/\/stijnpeeters.com\/possibilities\/","title":{"rendered":"Possibilities"},"content":{"rendered":"
This is a translation of one of the 45 blogs I wrote during my three month stay in Paris, 2021-2022.<\/em><\/p>\n Today I went to the Louvre for the third day in a row to study Charles LeBrun\u2019s Alexander paintings. I felt heavily intimidated and analyzing all his compositional solutions I couldn\u2019t theorize. Just make an inventory of possibilities.<\/p>\n\u00a0 \u00a0 \n \u00a0 \u00a0 This is a translation of one of the 45 blogs I wrote during my three month stay in Paris, 2021-2022. Februari 3rd 2022 Today I went to the Louvre for the third day in a row to study Charles LeBrun\u2019s Alexander paintings. I felt heavily intimidated and analyzing all his compositional solutions I couldn\u2019t theorize. […]<\/p>\nFebruari 3rd 2022<\/h4>\n\n
\nIn 1802 William Turner visited the Louvre and saw Titian’s The Death of St Peter Martyr. In his sketchbook he writes; “This picture is an instance of his great power as to conception and sublimity of intellect – the characters are finely contrived, the composition is beyond all system <\/em>(…)”<\/p>\n","protected":false},"excerpt":{"rendered":"